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This absence of parallel surfaces reduces internal standing waves and, along with the internal damping provided by a thin, painted-on coat of the borosilicate used in all Totem speakers, and the use of lock mitering throughout, points toward a very inert cabinet. A close inspection of the cabinet reveals that no two of the Ember’s surfaces are parallel: The top slopes down toward the back, the side panels taper to the rear, and the rear panel leans in as it ascends. Nor was its shape chosen merely for show. While $4200/pair may seem a large chunk of change for a speaker measuring only 14.125”H x 7.375”W x 9.75”D, the Ember is built to a very high standard, and is elegant in profile. The Element line also includes one center-channel and two floorstanding models. So here I sit, listening to and admiring a pair of Totem’s newest minimonitor speaker, the stunning Element Ember ($4200 USD per pair), which sits just below the slightly larger Element Fire. And by building this big-ass room with all sorts of mod, snappy furnishings, they’re working really, really hard to appeal to all the significant others who were probably dragged to this godawful hi-fi show when they could be out shopping . . . Totem has realized that if they make their products sound good, and make them visually beautiful at the same time, they’ll sell not only to audiophiles who couldn’t care less about décor, but also to those who want to surround themselves with beauty. Many audiophiles feel that a speaker can’t look good and sound good at the same time - as if speakers need to be boxy and ugly in order to work well. Lifestyle speakers have gotten a bad name. I mentioned lifestyle speakers just a minute ago, but I don’t want you getting all holier-than-thou on me. Totem Acoustic has been designing and manufacturing speakers in Canada for over 20 years, and the fact that they’re still building high-end speakers to very high standards and making money at it probably means that they’re doing something very right. You’ve just entered the world of Totem Acoustic - a world of serious, hardcore audiophiles. You may think that all this frippery is a mere matter of style over substance, that they’re flogging lifestyle speakers. Someone might slip a freshly made espresso into your hand. You’ll duck under huge tropical plants, settle into a sleek leather sofa, and gaze all stupid-like at giant murals featuring waif-like models draping themselves over equally sleek speakers.
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If you’re lucky, you’ll see a potted plant or two.īut you may find yourself drawn into a swish grotto resembling a cross between a New York City penthouse as seen in Better Homes and Gardens, a sci-fi movie set, and an opium den. Walk through room after room, and you’ll see the same sterile exhibits with a few rows of chairs and racks of equipment.
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At audio shows, manufacturers plonk their products down with little fanfare and less style. Moving from the smaller Fire to the larger Earth resulted in a more solid bottom end and a greater sense of ease without sacrificing any of that speedy quickness.There’s little sense of showmanship and panache in the world of high-end hi-fi. The sound was fast, immediate, speedy, and quick. The speakers were partnered with the Rogers High Fidelity EHF-100 vacuum tube stereo integrated amplifier ($6000) and an Accuphase CD player. Around the rear, the speakers use WBT’s platinum connectors. This construction, Totem’s Vince Bruzzese explained, works to get rid of parasitic energy as quickly as possible. The cabinet itself is cleverly sloped and angled so that the speakers seem much smaller than they actually are from the listening position, all one can see is the front baffle. The speakers’ 4-coat polyester finish is exquisite, smooth and gleaming to the point of appearing wet.
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Both the stand-mounted Fire ($6000/pair) and floorstanding Earth ($9000/pair) use Totem’s 7-inch Torrent hand-assembled driver and employ no crossover parts in the woofer section.
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Totem was showing their new Element Series of loudspeakers.